Lovable rascals

This is Berlin, I promise. Don’t look up too long or you’ll step in something…

Allow me to paint you a picture with words and sounds. You are asleep in bed at 6am on a Sunday morning. You are comfortable, warm and happily drooling onto the pillow. You have not slept well during the night but now you are nestling blissful in the cocoon of slumber, the mellow breeze of the morning gently toying with the hairs on your forehead. Suddenly and without warning this song explodes through your window and into your subconscious at tremendous volume.

You leap up and close the window but it’s coming from the flat next door so it simply barges through the wall instead – and you are then forced to spend the next two hours that should have been sleep-filled instead wondering why the neighbours are:
a) listening to this song on repeat for two hours
b) listening to a synth xylophone cover of the song rather than the original if they like it so much
c) doing so at 6am in their kitchen.
These are the same neighbours who regularly have colossal and loud raves in their flat every Wednesday and Thursday night, and who last night seemed to be watching just the car chase parts of all of Hawaii 5-0 with the television pressed up against the wall. There are so many people around who are simply bad and naughty; people who don’t give a single microscopic hoot and know they’re being antisocial, tossing Snickers wrappers on the ground and letting their dog chew your iPod headphones with no other feeling than a mild sense of triumph. Oooh, I’d like to smack them until they weep. Funnily, though, I don’t think any of my favourite kids that I teach will ever grow up to become these people, and my favourite kids aren’t goody-goodies or sweet little girls or cherry-cheeked cherubs. No. They are the really, fantastically, bloody naughty-as-sin kids.


The naughty children I teach are so much more deserving of the huge quantities of energy and attention I am forced to give them. Sure, the good children have earned good treatment and are often brilliant kids, and it is important to make them feel that they are getting recognition for being obedient or well-behaved or clever. It is also crucial for the group as a unit to show nothing but approval for the ‘good example’ kids and nothing but dismay about the ‘juvenile detention’ kids. Little Leonie is a smarmy, competitive and boastful shrew but she gets lots of stamps and high-fives because she is at least trying to exemplify what the kids think the teacher wants as good behaviour. 

It’s an impossible juggling act because this must be carefully balanced with the praise the other good kids get, the praise the kids who are just casually drifting along with the crowd get, and the praise the bad kids get when they do something remarkable like sit down. The good kids know they are good and often become distraught if they feel that they missed out on earning a brownie point; I have one pupil who collapses into a gooey crying heap the minute he is not instantly high-fived and given a standing ovation for saying a word. My superiors advise me to make these good children into examples by praising them as a form of telling off the others, as in, “Now look how well Marc is sitting, isn’t that fantastic! We should all be sitting just like him. Super!” This is unbearable enough but there is a very good reason to avoid this entirely, and as someone who used to be the unbearable swot in the class, I should know. The problem is that in holding up the good kids as examples to follow, they become incredibly easy to hate. You can see the other kids narrowing their eyes and puckering their mouths if these teachers’ pets ever get this treatment, and I just can’t do it to them; I have to protect my own kin. The fact of the matter is, when a kid is good they are praised, and when not then not. 

But no-one can understand how heartbreaking it is to always have to yell at the kids you love. And god help me, I love the naughties. They are hilarious – Julius has a rock-star mane of long hair and roars like an asthmatic lion when he gets excited or angry, which is all the time. Alexander is the only kid I’ve known to actively refuse to represent male characters in games in favour of female characters (“Ich will ‘sister’ sein!!”) and Leo is so, so, so desperately rude and naughty but his debonair eloquence at the age of three is so disarming I sometimes want to embrace him for the startlingly offensive things he says. Naughty children are exciting and rebellious and never boring; you can tell that the reason they are bad is that they are in fact geniuses who already know too much about the world. Julius had a horrendous fistfight with his two mates in class this morning and after I had succeeded in calming them all down, he smoothed down his hair with dignity, turned to the other two and said, “Now look. After all that, I want to know – and let’s agree on this – are both of you still my friends?” His equally naughty friend Michel replied, “Well, all I know is that I am my own friend and my name is Julius.” These kids are four years old and it was such an arresting moment of sincerity I wanted to buy them all presents for being awesome. These bad kids won’t grow up to be bad adults; these are the children who will become in charge of important firms or making new inventions because they have energy, wit and brain.

I love it when the kids secretly cover my attendance list with stamps when I’m not looking or when they ruin the entire game or story because they have realised that ‘boots’ sounds like ‘poops’. It shows such imagination and reluctance to be normal and boring and average, and for that reason every time I shout at them I am secretly wishing that if I ever reproduce my own child will be just like them.  

Rose T

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