|Striped pajama squid earrings and a blue-ringed octopus pendant. Made for a marine biologist, natch.|
Crafting is my favourite thing. I’ll try anything, from Fimo to glassmaking, basket weaving to soap-making – I love it all, except scrapbooking which is a waste of money and time and shouldn’t be allowed. The wonderful thing is that although the craft scene here is relatively limited (our best craft supplier is Hobbycraft, a place utterly devoid of creative energy or even a single wisp of human cheer) the Americans are ON IT and write thousands of blogs, tutorials and articles every single day on making your own stuff. Hell, they even started Etsy, which if you manage to sift through all the stuff that’s being resold from wholesale under the guise of handmade produce still provides people like me to actually send a bit of what they make out into the wider world. Things like a moose antlers hat for a newborn baby should – nay, must – be made publicly available, let’s face it. And with Craftzine, and Craftgossip, and Craftgawker, and the dozens of craft resources available online, it looks like this fad is a fad no more; we’re taking over the world and covering it it crochet as we go.
But even though I used to avidly devour these blogs every day, soaking up the ideas like a thirsty Spongebob, these days they tend to fill me with nothing but ennui and a horrible foreboding sense that we’ve already ruined it for ourselves. People making stuff has the potential to be world-changing, the idea that if you need anything, want anything or want to improve anything you already have you can make it happen yourself with glue and some accoutrements of some description. Just think what it could mean for the hideous consumption-disposal society we’re in at the moment; think how it could change the way things are valued, and the way we treat the things we already own. People making stuff has the potential to shape style to be the way we want it for once, as opposed to us being told by a committee of thin and unsympathetic designer-types that this Summer is marine and pastels AND NOTHING ELSE IS ALLOWED. If everyone could sew, perhaps people might even – finally, after all these eras of struggle – get hold of a pair of trousers that actually fits!
This is the potential of the Craft Movement. And yet, somehow, it has taken a much more annoying turn.
You see, the worst thing about being a crafter (a term, by the way, which I resent; I would much prefer to be called something a little less evocative of Pritt sticks) is that it verges, always and dangerously, on becoming pointless whimsy. People think crafts and they think of women knitting while the heady scent of oestrogen fills the chintz-filled room. And while a good deal of us hate this and want to distance ourselves as much as possible from the idea, the online craft world seems to insist nowadays on encouraging us, rather than making useful and genuinely exciting and creative things, to simply fill our lives and our homes with cluttery, girlish, unnecessary tat.
For starters, crafting nowadays seems even to comprise anything that you have not immediately taken out of a packet, which means that a good deal of the ‘tutorials’ are so obvious as to be vaguely laughable. Look at this:
It’s a cutout of a moustache on a stick. The tutorial has four steps and multiple instructive pictures. I would need fewer instructions to grow a real moustache from scratch. Come on. Not to mention that the whole thing ends with the valuable advice to put them all in a mason jar.
Now, don’t get me started on mason jars. Except I believe I shall indulge. For those of you not acquainted with the lingo, a mason jar is one of those jam jars that looks vaguely old-fashioned and has a loose metal disc in the top of the lid rather than a fully closed lid to get a better vacuum seal on your jam (because the air shrinks as the jam cools and ah you don’t care). For some reason they have suddenly become the life and soul of crafting and now it also counts as art if you do anything – really, anything – with a mason jar. People spraypaint them for ‘a beautiful and cheap vase’, make them into wedding decorations, bake cakes in them, make candle-holders out of them, tie a ribbon around them as if that required even a bare iota of effort, and the thing that really grinds about the whole thing isn’t just the obvious fact that they are just glass jars, not the treasure of the Sierra Madre, but mainly that thousands of people are going out, buying and glooping up millions of brand new glass jars when perfectly serviceable old jam jars are probably lying in their bin – but they aren’t mason jars, so they aren’t cool.
Next, this: utterly unnecessary items, for which there is a very good reason they are not available in shops. There are, for example, very few items in the world which need a cozy. Teapots, mugs, hands and feet. Not lens caps.
|Thank god, now my apple won’t get…warm? Cold?|
And candle cozies are the worst of all – candles produce their own heat so why they should require any kind of cozy or mini sleeping bag of any kind is utterly incomprehensible. And there is just so much of it all: not just cozies but wreaths, terrariums, centrepieces, placeholders, napkin rings, cake stands, and a million other twee pieces of clutter are what we supposedly dying to make and what we supposedly all desperately need in our lives. There are two problems with this: not only is this production dreadfully wasteful – all those beautiful brand new resources going to make things that really only can be thrown away in the end because you can’t recycle a mason jar once it’s covered in rhinestones – but also, it is hurting the reputation of crafters. Kindles, cameras, iPods have cases, not cozies, and it is this babyish terminology that make us all seem like flustery little women blithely passing time.
The waste is a real issue, too. I don’t think it is fair to claim you are ‘upcycling’ a huge pack of plastic cups into a lampshade if those cups could also have been used for the reason they were siphoned out of the earth as oil, refined, distilled, mixed, moulded, packaged and sold. As cups. For drinking. And you have to be careful about what you’re upcycling too, because if you’re about to take a mallet to your old laptop thinking that the circuitboards will make a groovy necklace there’s a considerable chance someone else could actually fix up the laptop and use it for another five years, thus making use of a lot of very useful metals and other things which I imagine live inside a laptop (well, internet juice of course, and flanges). I don’t think we should sacrifice fun for the sake of a few scraps of wool, of course – but I do think that recycling is at its best when you are making something great out of something otherwise unusable, like a phone case made out of an old lotion tube. Isn’t it awesome?!
The message should be bolder, more confident, more anarchistic! We should be showing people that not only can you make a moustache on a stick, but that with a few more minutes of effort you can actually make your own clothes, pottery and cosmetics! We need more of Instructables in the mix and less of Women’s Own! We need to repossess crafting, and this time do it properly and move beyond the miniature versions of cupcakes or knitted keyboard covers. Blokes need to feel that they can make their own stuff without getting stigmatised by the gushing flood of X-chromosomes these images are sending forth. The other stuff is all great fun and excellently creative (do you think I didn’t notice that the apple cozy is a monkey? Outstanding.) but I reckon that we can’t be taken seriously until we get outselves out of the ‘nifty gifty’ zone and into the ‘Noble Handworkers of the Modern Age’ zone. Once people assume we’re all making our own paper, socks or mugs, then we can get to work on making cozies for them.