Holy crèpe paper…that’s supposed to be educational? |
Ok, so that’s not even a real child, it’s a plastic model which gave me a lurching heart attack the minute I turned around and glimpsed its hell-black eyes in the Pingelhof traditional farming museum on my trip last week. The real children I am actually teaching really are quite sweet, and as our lessons finally begin to come to their end, their reactions are ranging from adorable to inexplicable.
I’m now getting into the penultimate or final lessons for each group, and as I sit the children down and tell them in the saddest-sounding whisper I can muster (simultaneously putting all my energy into not sounding at all joyful or triumphant) that these are our last lessons together it is hilarious to see what they do with that information. One kid, Max, was so devastated after the lesson that he sobbed and his mother had to calm him down, as she later told me – tragic, yes, but good feedback is good feedback. The other kids in Max’s group immediately asked, naturally, if they would be getting a present of some kind, since they have been doggedly demanding that I make them all animal masks since that fateful day I brought in a snake and monkey mask for them to frolic about in. But this is a group of kids who all have huge, cartoon eyes and adorable high-pitched giggles and are addicted to being tickled and so I couldn’t say no to the little tykes.
Livin’ it up on a Friday afternoon |
That’s my favourite group; others won’t quite be getting the same level of dedication.
One of the groups, from a slightly impoverished Kita in the south, were very strange. I knelt to tell them the sad tidings and after a moment of reflection the adorable and very Ikea-pretty (i.e. blessed with Scandinavian good looks and subtle colour combinations) Lasse said: “Rosie is soft like a cushion.” He then lay his head on my lap and started to mew, and all the other kids said, “Yes, she’s soft like a cushion,” and joined in nestling on my big squashy thighs. I had to sit for a while just staring in confused affection at this sudden litter of puppies on my lap stroking my thighs, and then eventually just tried to distract them with the picnic game.
Other children are not so sweet, and use this as an opportunity to loudly announce that they don’t want to do English anymore and their mum says it’s a waste of money and that they should have done swimming instead; others seem to completely lose their sense of what is going on and start asking if that means they won’t have an English lesson tomorrow (the lessons are only once a week, never twice in two days) or suddenly asking what happened to that English teacher they used to have before I came along (answer: they quit because they hated the job and you, children!). And some simply ask, “Why?”
In absolute honesty, to be leaving the kids is rather sad and I have grown very fond of almost all of them; well, save the group who are as thick and herd-minded as a group of buffalo and simply spend every lesson loafing around the room dribbling slightly. But most of the children are sweet and affectionate and in finding out that I am leaving are touchingly saddened. Some now call me ‘mummy’ and some simply cling onto me like baby orangutans. And an oddly large number of the children have taken to repeatedly kissing the back of my hand during lessons like a Victorian gentleman introducing himself to a fine lady. It’s rather charming.
Still, even though my time here is drawing to a close, that is no reason for me to stop discovering new and mental things to do in this hilarious city, and thus I will end this entry with a concert that I was at featuring a Gypsy Swing Jazz Band. No, I didn’t really know those words could come together like that either. The venue was the Fuchs and Elster, a wonderful little bar/pub named after one of the sweetest stories of the Sandmann, a little pre-bedtime telly show from East Germany in which a tiny story lasting five minutes was played out to soothe East German kids into sweet felt-puppet dreams. The tales of Herr Fuchs and Frau Elster are stories of a cantankerous fox and a mild-natured magpie who have the personalities of that grouchy old man who chases children off his lawn and that sweet old lady who gives those same kids cake and lemonade, respectively. The stories revolve around Frau Elster trying to do something nice and Herr Fuchs just trying to enjoy a quiet life, and they are beautiful and charming.
How could a pub named after that not feature some kind of organic Gypsy jazz on its menu? The concert was brilliant, in fact, a mix of twangy Gypsy Kings-style skiffle music and Woody Allen-style jazz with a mental lead violinist who sang in a moany growl. Unfortunately my friends and I were not able to fully enjoy the concert due to the complete maniacs in the audience. It was not particularly music to dance to, but despite this a man in a Popeye-striped-shirt was flinging himself around like he was being toyed with by an invisible puppet master. The man had an expression on his face that can only be described as “agonecstasy” and seemed to have completely misunderstood all genres of music at the same time, as he was dancing to the swing/jazz/skiffle beats with a mixture of skanking, hip-hop hand gestures and wild hippy flailings, whilst making Super Mario whooping noises and shouting “Arriba” like a Mexican bandito. He was not the main offender, however. The worst was the man directly next to us, a man who seemed to be composed of nothing but elbows and shoulders, getting his groove on in the most self-indulgent and inappropriately energetic manner. He was whacking us in the arms, face, boobs, bellies, grinding up and down the side of my poor friend and indulging in erotic caresses with the two women and other dude he was with until, at the end, they all just gave up and clustered into a big writhing ball of fake carnal fervour. If you are reading this, you angular and malfunctioning robot, take your hoodie and blazer combo off and burn it, then go and read a book or something. Chillax, dude.